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Voluntary Organizations in the Chinese Diaspora
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- Contents
- Acknowledgements
- Contributors
- 1.Introduction: The Chinese Diaspora and Voluntary Associations
- 2.Between Tradition and Modernity: The Chinese Association of Johor Bahru, Malaysia
- 3.The Cultural Politics of Clan Associations in Contemporary Singapore
- 4.Chinese Voluntary and Involuntary Associations in Indonesia
- 5.Chinese Charity Organizations in Ho Chi Minh City, Vietnam: The Past and Present
- 6.Association Divided, Association United: The Social Organization of Chaozhou and Fujian Migrants in Hong Kong
- 7.Voluntary Associations in a Predominantly Male Immigrant Community: The Chinese on the Northern Mexican Frontier, 1880-1930
- 8.The Development of Chinese Communal Places in Sydney
- 9.The Roles and Contributions of Chinese Women Entrepreneurs in Community Organizations in Sydney
- 10.The Paradox of Ethnicization and Assimilation: The Development of Ethnic Organizations in the Chinese Immigrant Community in the United States
- 11.Ethnic Church Attendance and Social Participation of Immigrants in Canada
- 12.From "Loose Sand" to "Cloakroom Community": Chinese Associations in the Czech Republic
- Index
A Touch of Zen is one of the first Chinese-language films to gain recognition in an international film festival (the Grand Prix at the 1975 Cannes Film Festival), creating the generic mould for the "crossover" success of Ang Lee's Crouching Tiger Hidden Dragon in 2000. The film has achieved a cult status over the years but little has been written about it. This first book-length study of the classic martial arts film therefore redresses its critical neglect, and explores its multi-leveled dimensions and mysteries. One of the central features of the film is the enigmatic knight-lady (xia nü) whose quest for revenge leads her to cross paths with a poor scholar whose interest in military strategy seals their alliance. Teo discusses the psychological manifestations and implications of this relationship and concludes that the film's continuing relevance lies in its portrait of sexuality and the feminist desires of the heroine. Teo also analyzes the film's form as an action piece and the director's preoccupation with Zen as a creative inspiration and as a subject in its own right. As such, he argues that the film is a highly unconventional and idiosyncratic work which attempts to transcend its own genre and reach the heights of universal transcendence. Teo grounds his study in both Western and Chinese literary sources, providing a broad and comprehensive treatise based on the film's narrative concepts and symbols.
Book Details
Editors
Khun Eng Kuah Pearce and Evelyn Du Dehart
Categories
Social Science > Anthropology > Cultural
Publishers
Publication year : 2009
License: All rights reserved ©
Times read: 51

